Thursday, March 10, 2011

Momma Maria McCray has gone Home now, like a Shooting Star. "I am not going to die, I'm going home like a shooting star"-Sojourner Truth.







I can't believe you passed 
Your words on stage were as fierce as your spirit
You birthed and inspired thousands of poets 
so they called you, Momma.


Love Spook

As quite as it's kept, It's easy for Black folk to come up with all sorts of reasons to dislike and hate one another, dating back from the first time a slave was forced up onto the auction block in America.

 It's the reason why slave rebellions lead by the bravest of souls, like Gabriel Processer,  Denmark Vesey, and George Boxly failed, because of the betrayal of other slaves. This  syndrome is know as "crabs in the barrel" and  continues down through out Black history to African Colonialism all the way to the two Black people now living in the white house who promised poor Black folk change too, and failed to deliver, and continues forward in various vicissitudes and strengths throughout America.  Most Black people are just not honest about it.

Therefore I'll admit, that over ten years ago when I was sitting at the back of the ( now closed) Big Horse Tacqueria  and Lounge located in Wicker Park at a weekly Poetry Slam, the first time I saw Momma Maria McCray spit poetry, I didn't like her.  It was the way that the audience of mostly white kids, joined with the few Black, Asian, and Latino kids, and chanted "Momma! Momma! Momma!" as she stepped to and commanded the stage.  I was also uncomfortable with her combining the masculine stinging wise cracking truth telling and wit of Dick Gregory's "From the Back of the Bus" with stories of her wounds and vulnerability as a Black woman from the American South who on top of it all, served in the Vietnam War.  To listen to Mamma McCray was to be forced to experience her raw pain, when personally I'd fled from the South side of Chicago to run from mine.  I wanted to hear the far more common political rants of privileged kids, intellectualized from books ( therefore sterilized), and not connected to the open wounds of a rightfully angry, articulate, and brilliant older Black women soldiering it alone.  I didn't want to picture her riding on red line from the hard scrabble Roger's Park Neighborhood with her brown bag of poems.  And even worse, on those nights when she could not secure a car ride home, I didn't want to picture her, after connecting with her children, alone on that long train ride home looking out the window at Chicago passing by in the night.

Well Momma McCray passed two days ago. I didn't find out from WBEZ,  but from one of her children, a Black man from the South Side block that I lived on as a teenager. When I left the neighborhood for school on the east coast, he was the last person I expected to see again.  Actually, the last I thought that I  would ever hear about him being alive, was on Christmas Break as sophomore year, when I heard that my older cousin's best friend (Dark Mark) beat him down for shorting him on a bag of weed.  Years later after I returned back to Chicago, bowed, bruised, and bloodied, but armed with my degree by the skin of my teeth. I had picked myself  up and moved out from the segregated South Side, that defines most Black people in Chicago who live and die there, (some never even leaving) and moved to Bucktown/Wicker Park, a place that years ago reminded me of New York City.  There, I encountered the person Dark Mark beat down over a dime bag of weed.

Although his home will probably always be on the  South Side, he managed to "leave" the bad of the neighborhood enough to grow bigger than the south side as well.  Although his face still carries the beatings, he's changed his appearance from hood to urban bohemian, reads books, writes  poems, receives recognition as an artists and Chicago activist, and now goes only by his first name.  We don't cross paths often as he still lives on the South side and has a child, but I often listen to his progressive political radio show broad casted on a North Side college radio station and keep up with him because we are "Face book Brothers"

It was from his "face book update" entitled "I didn't get a chance to say goodbye.......damn" posted on Monday 7th at 11:14 p.m that I learned that Maria "Momma" McCray passed like the red line train she rode pulling away from the station for the last time. He was one of her children. And I guess I am one too, estranged, who has finally grown up enough to come home.


The only Thing I Miss about the South- 
By Maria McCray

I would dig dandelions from around Dad's headstone

......2Feet from Grands....2Feet from Great-grands
.....2Feet from Great-Great-grands...& brag, loud & long to

my captive audience father

about his never-knew grandchildern,

just past where, i find dignity in small gestures..

just Past


6 comments:

Anonymous said...

Very nice blog! Thanks for saluting my Aunt for her creative endeavors and her fiery spirit.--Ashley

Anonymous said...

She was a very deep inspiration for many people, not just the privileged kids. She brought light to many people and inspired many more to be talent saved, not just talent wasted.

Renee said...

That was a very Moving Tribute and I am Glad I had the Honor to have met such an Inspirational Woman, for her Expressions, who was a Fierce Force* to say the least! I used to kiss her on her face hello as well as embrace the also unforgettable Spook who sat by the door~(Jimmy's on Tap/University Prk/Chicago)

Affectionately,
Renee D. Gross/a.k.a GRASSHOPPER*

Spook said...

Thank you for the complements as I continue to live, learn, and grow, in tune to my ancestors who paved the way.

Spook

Danielle Mari said...

My God. No. If I was ever in the same room as you when Maria was performing (though I don't think so... this was years ago and nobody chanted "Momma" for her back then... and it was the South side and sometimes West Town and other places, I can't remember), you probably had me pegged as one of those white privileged kids. You'd have been somewhat right. I'm white and I've had it pretty good my whole life (never rich, but never wanting)- though at that time I was on my own, and working three jobs to support my theatre and writing habits (and eating and stuff, too, of course). I fell into her scene through a labyrinth of happenstance and fortune or fate (whichever you'd like to see it as) and not only got to watch her perform, but got to know her. The first time I saw her, I burst into tears... it was that raw pain she tapped into (not only in her text, but in her performance as you describe so well) that hit me. Our experiences were so different, but as a woman- I felt her needs and hurts at an atomic level. And when I went up to thank her afterward, she took me into her heart within 2 seconds- transcending the societal/racial/ethnic differences we all tend to categorize one another by with a grace I will always try to emulate. I got to work with her later, as my theatrical roots and her poetic roots joined through a group of performance poets she fell in with and I fell in with. You might be happy to know that I often gave her a ride home... sometimes to the gig, too, if my three jobs allowed it. And she was doing me the favor, by the way.
I came across your post as I was completing an interview about my own poetry. The interviewer asked me to name influential poets and I saved Maria's name for last. I wanted to include links to her poetry and (if available) to her performances. I ended that answer with, "You have got to go see her live. She is an elemental force. She needs to be added to the Periodic Table." And then I found your article. I'm so deeply saddened at my loss, at your loss, at the world's loss... but my God. How fortunate I feel to have known her. And to have found you here. Peace.

Danielle Mari said...

If you don't mind, would you shoot me an email? I'd like to talk to you about Maria, and I have some questions for you not fit for public consumption...
msfilas (at) gmail (dot) com
I would be grateful!